23RD
FEBUARY 2005 - PART 1
His
Dark Materials is one of the shows
I've wanted to see for ages. I
missed the 2003/4 production,
to my total incompetence, thinking
it'd be easy to get ahold of seats......dur.
As a reminder of my foolishness,
I had the flyer sat on my desk
at uni, as some kind of torture
device - "Ha haaa, you
missed us!" Then, the
National Theatre announces it's
running the same production again,
encore! My looooovely lovely lovely
sister (not sucking up at all)
bought me 2 tickets for my 22nd
birthday to go see both parts
of the show. Of course, she booked
herself as well, as she too was
desperate to see, and well, it's
just never fun on your own, you
always need someone to chat about
that specific performance with.
E.g. wasn't so and so brilliant/gorgeous,
how funny was it when whatshisface
accidently tripped over, you know
what I mean ;) So
nasty. Plus we'd both read the
books, and were keen to compare
(all this fuss over it's anti-religious
content - it's only fiction! People
don't complain if a book's overly
religious, take that Bible book
for example ;). So
February finally arrived (the
closest date my sister could
get good seats for!). It was
wellllllllllll worth the wait,
I absolutely LOVED it! Stalls,
Row E, right in the centre (so
no looking up someone's skirt,
or squinting through clouds).
I know now that the Olivier
theatre's stage is meant to
be famous for what it can do,
but when that set rose up out
of the floor for the first time,
I turned to Asti, and whispered
rather excitedly, "Omigawd!"
Not only does that stage
spin, it also has another one
hidden underneath! Very good
for changing scene, not like
Les Mis, where you suddenly
see some gates noisely rolled
onto the stage, heheh. So nice
to see sets done so well, *cough*
Woman in White. I was really
interested to know how the stepping
between worlds would be done
- big screens, which showed
images from one world, and as
character stepped through, changed
to the next, so one second it
was lovely calm water, next
it was a red London bus charging
towards us, brilliant. Only
one hitch with the set - when
the polar bear palace (or whatever)
is first shown, the curtain
wouldn't rise, so we were treated
to all their knees and feet
for a little while, though of
course was very grand when the
curtain finally raised ;) Made
me laugh, anyway!
I
was a little worried at how
the daemons were going to be
portrayed, as I'll admit I was
not much of a fan of The Lion
King's stageshow production
- where do you look at, the
actor's face, or the animal
face about a foot above? I found
it rather confusing, and so
got a bit humpy, though of course
all the kids around me loved
it and how no problems getting
into it. Anyway, if the daemon
was moving around of it's own
free will, an 'inconspicuous'
person dressed all in black
would run around controlling
it, otherwise the actor themself
would craddle it in their arm/pocket,
or walk it around on a kinda
leash. I'm rather rubbish at
describing this, but it all
honestly worked very well! The
characteristics, especially
for Pan (Lyra's daemon) were
wonderful, and I especially
liked the designs - quite funky
colours, with glowing eyes/heads
for the darker scenes. And urgh,
those snapping jaw wolf daemons
were actually rather scary (have
recently been drawing wolves
at uni, so was quite thrilling!).
Mrs Coulter's daemon, an ape
(I think), I remembered as being
rather creepy from the book,
and this version lived up to
my expectations - those scary
long arms, which it would thump
around when agitated, the way
it would twist it's head violently,
urgh just the way it bounded
about unexpectedly. NASTY. So
of course I loved it!! Wish
there were toys of them in the
shop, they'd make a bomb...
I
should of course mention the
actors! Lyra was played by Elaine
Simons, just right for rather
annoying little Lyra, who does
get more likable as the show
progresses. Not quite sure of
her accent, is she Irish? Always
imagined her character to be
rather posh and spoilt, what
with living on the grounds of
a university in Oxford. But
Ms Simmons made her likable,
a bit of a rogue tomboy, and
she had funny mannerisms. Wil
was played by Michael Legge,
who really reminded me of someone
in my class at university. Also
very suitable for the role -
he really plays as the audience,
as none of us have daemons,
so sort of reacts as we would,
which is probably why the audience
like him. Had the teenage stoop
done well, humpy at times, although
I'd say a bit too grown up.
I'm not talking Blood Brothers
here (that was just creepy),
just his attitude. Lord Asriel
was played by David Harewood,
who made the character seem
much nicer than I remember,
more friendly. Lovely body too,
I must say ;D I have to say
I never imagined him to be black,
and what with Lyra being white
as well as her mum, seemed slightly
unlikely when he was revealed
to be her dad. Still, this is
the theatre, and we are meant
to be able to suspend our belief
at the heavy wooden doors! Lesley
Manville as Mrs Coulter was
suitably nasty/creepy, and if
you didn't know she was Lyra's
mum before all was revealed,
you'd have to be pretty slow,
as every single line she said
seemed to have a double meaning!
I'd be well terrifyed if I was
that actress, having that ape
thing lumbering about after
me - had this brief vision of
running down a doorless corridor,
with that thing chasing afterwards.
I think it has deeply disturbed
me in actual fact!
Ok,
best bits: The huge flying monsters
that attack the cast as they're
in the hot air balloon - those
things actually made my jaw
hang open! Were massive, made
the nastiest noises, and were
just very cool puppets, the
best I saw that night! The polar
bear fight was great, with the
red paper as blood, and the
sound effects when they attacked
each other (STILL didn't know
whether to look at the actor's
face or the bear face, which
he was acting with on his arm,
so confusing for someone like
me!). The priest's uniforms
were great (Fra Pavel looked
like Khashoggi from We Will
Rock You, and was played by
a guy from Stuff Happens which
I saw last year, excellent).
Would like to have seen the
spectres attacking the adult,
the flashing lights on his body
were not enough for me after
I'd seen those bloody great
flying things ;) Maybe in the
next part...? As we were all
leaving, a little American kid
in boastful tones said, "Ohh
man, I coulda done a better
play on my way to [insert restaurant
name here]!!" Little
brat! All the other kids seemed
to have enjoyed it (and there
were many - off the subject,
but there were loadsa people
there younger than
me - unlike the usual crowd,
60-80, as a friend of mine jokes
;).
Under
2 weeks till we see the second
half, which, I might add, I
could easily have sat and watched
after the first. Only, urrr,
6 hours in total! Am really
interested to see what the angels
will look like, when Lyra meets
all the dead people, the final
battle, and what about that
lady on the planet with the
wheeled race...? Or am I thinking
of something entirely different
now... Quite excited though,
this has all been well worth
the wait! There should have
been an uni illustration trip
to see this, is very inspiring!
My sister inists if she were
to have a daemon, it would end
up being a spider. I think if
I had one, it'd be an elephant,
so it'd cause mayhem wherever
went, and embarressment as it
tried to squeeze into a room.
Or a tarantula.
9TH
MARCH, 2005
The
eagerly-awaited second half
to a, ur, trilogy! Earlier that
day, there'd been an enlightening
talk from the artist David Hughes,
and down Oxford's Street HMV,
a signing from my fave game
creator and (living)artist,
Hideo Kojima and Yoji Shinkawa
(and I MISSED this, which I
shall forever kick myself for.
But c'mon, who only does a signing
for an hour??). After all this
stresfful running around, I
had my usual pre-theatre coffee,
as well as nibbling on some
smuggled in shortbread.
A bundle of little
sheets on the counter in the
shop (one of which I nabbed!)
said in apologetic tones that
the roles of Lyra and Mrs Coulter
would be understudied that evening.
Oh! Well that's one
of the joys of the theatre,
to see multiple people performing
the same roles. Both were fine.
Enjoyed seeing Mrs Coulter (Venessa
Earl) being groped by the sexually
repressed priest, who reminded
me of so many of the guys at
my senior school. Desperation
written all over them ;) Really
liked the music played when
she'd enter, was subtle but
creepy. Wish they could use
that for the film! Michelle
Dockery as Lyra seemed a little
nervous at first, but I thought
she was brilliant, had a pleasant
speaking voice.
A
side note here, but it seemed
like half the cast were wearing
Converse basbell boots! I kept
squinting to see the 'All Stars'
logo on the heel, which I did!
ANYWAY, the first act was a
little....slow. Perhaps because
the scenes didn't change as
much, which admittedly is half
the appeal of the show for me,
watching the fabulous change
of scene! The second act was
amazing though! Highlight of
the entire show has to be those
Harpies, which I found scary
in the book as it is. The women
in these costumes looked huge,
with the towering wings, and
chased after poor Lyra with
voice-synthesised cackling(hee
hee!). It was horrible, she
was being chased, the set rose,
and another 4 appeared!
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